Lo sapete, di solito bazzico in
questo blog artisti morti, e spesso perdenti. Poi, nella vita privata,
frequento e osservo artisti vivi e vegeti. A volte, giovani. A volte giovani
talenti come Kate MacDowell, americana. Realizza sculture in porcellana per
esplorare con poesia e cinismo il rapporto tra uomini e animali. Un conflitto
insanabile. “Noi siamo parte del mondo animale, e allo stesso tempo ne siamo i
carnefici.” Unendo tecnica settecentesca e visione post atomico. Fico.
“I’ve lived and
worked in many different environments and cultures that have influenced the way
I perceive the world, and therefore my pieces. These experiences have ranged
from teaching in urban high schools and producing websites in the high-tech
corporate environment, to volunteering at a meditation retreat center in rural
India a few hours outside of the fever pitch of Bombay. I’ve also collected
visual imagery and ideas from my travels through Renaissance Italy, Classical
and Minoan Greece, Nepal and Thailand.
Upon returning to the
United States in 2004, after a year and a half working overseas, I began to
study ceramics full-time at the ArtCenter in Carrboro, North Carolina and later
at Portland Community College's Cascade campus and the Oregon College of Art
and Craft's community education program. I have also studied flame-worked glass
at the Penland School of Crafts in North Carolina, and participated in an
artist residency at the Watershed Center for the Ceramic Arts in Maine.” Hi, Kate.
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